![zz top gimme all your lovin zz top gimme all your lovin](http://i.ytimg.com/vi/k4VFFBCa5Aw/hqdefault.jpg)
Booji Boy was a pivotal part of the band’s short films in the Seventies, and he had a memorable appearance in Neil Young’s arthouse flick Human Highway, but the MTV crowd didn’t encounter him until the video for the group’s 1981 single “Beautiful Day.” It shows Booji Boy looking at random scenes from Earth, beginning with happy Leave It to Beaver–era images of beauty pageants, smiling couples, and surfing competitions, but it eventually grows bleaker with scenes of war, famine, and even a nuclear explosion. The human incarnation of this is Booji Boy, a character that frontman Mark Mothersbaugh plays when he wears a rubber baby mask and speaks in a falsetto. From Adele’s “Hello” to ZZ Top’s “Gimme All Your Lovin’” - these are the videos that continue to thrill us, delight us, disturb us, and remind us just how much you can do in three to four minutes with a song, a camera, a concept, a pose, some mood lighting, and an iconic hand gesture or two.ĭevo’s central philosophy states that mankind is evolving in reverse. But all of these picks are perfect examples of how pairing sound and vision created an entire artistic vocabulary, gave us a handful of miniature-movie masterpieces, and changed how we heard (and saw) music.
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No, “Thriller” is not.) A few pre-date the channel several have never played on MTV at all. You’ll notice some significant changes from the last time we did this. In honor of MTV’s 40th anniversary, we’ve decided to rank the top 100 music videos of all time. Four decades after the channel’s launch and long after it stopped playing them, music videos still complement songs, create mythologies, and cause chatter and controversy. The internet soon stepped in to fill the void. The format proved so durable that when MTV decided to switch things up and devote its air time to game shows, reality TV, and scripted series, thus shutting down the primary pipeline for these promos, artists still kept making them. Entire genres and subgenres - from hip-hop to grunge to boy-band pop to nu metal - became part of the mainstream. The network revolutionized the music industry, inspired a multitude of copycat programming, made many careers, and broke more than a few. Virtually everyone knew what a music video was, and they wanted their MTV.
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At this point, viewers might have a few questions, like: Is this like a radio station on TV? What is a “VJ”? And what the hell is a “music video”?Ī year later, no one was asking that last question. This wasn’t a news channel it was “Music Television.” If they kept tuning in, they’d see clips and hear VJs talk about bringing you the latest in music videos. And then they’d hear a voiceover, with all the smooth patter of an FM disc jockey: “Ladies and gentlemen, rock & roll.” Cue power chords, and a flag with a network logo - something called MTV - that rapidly changed colors and patterns.
#Zz top gimme all your lovin tv#
The familiar sight of Neil Armstrong exiting his lunar module and walking on the moon would fill the TV screen. In the wee hours of August 1st, 1981, someone flipping through their channels might have come across the image of a rocket blasting into space.